Cool Cities: Teaching Civic Engagement
through Ancient Carthage
Anne E. Haeckl (Kalamazoo College)
and Elizabeth
A. Manwell (Kalamazoo College)
The inspiration for our Classics service-learning course came from our State
Governor, whose Cool Cities Initiative awards competitive grants to community
projects aimed at making rust-belt towns more attractive places for energetic,
idealistic and educated young people to settle, contributing their vigor
and vision to reversing trends toward urban decline. Our course, “Cool
Cities Ancient and Modern: Carthage and Kalamazoo,” essentially combined
a lecture and discussion-based “ancient cities” model with small-group assignments,
in which students were paired with community partners actively involved in
projects designed to make our own city cooler. These groups partnered
with the arts community, a neighborhood association, non-profit service providers
and city agencies in Kalamazoo, resulting in plans for neighborhood lighting,
a community arts market, a youth advisory group to the planning commission,
as well as a conference on public sculpture and an event to raise awareness
about poverty.
One teaching challenge for us was to learn how to give up gracefully the
pose of authoritative professors, as class material extended into areas far
beyond our academic expertise, such as urban planning, the sociology of poverty
in the 21st-century USA, the ethics of philanthropy, and the theory
and practices of public art commissions in American cities. The other
major challenge was to find ways meaningfully to relate our classroom study
of ancient Carthage to the local community projects through which students
learned experientially. The most successful strategy in this regard
was reflective class discussion, followed by individual reflective essays. Several
themes emerged that seemed legitimately to connect learning about urban life
in the ancient multicultural metropolis of Carthage with student service
to their contemporary home in a less than vibrant Midwestern college town: the
invisibility of poor and socially disadvantaged residents in both the archaeological
record and in modern town/gown relations; the importance of public art in
creating a “cool” urban ambience; the role of euergetism and patronage by
civically-minded private citizens in raising the cultural profile and quality
of life in ancient and modern cities.